TIANJIN: Huo Shuqing’s relatives has been generating classic woodprint New Calendar year paintings for 7 generations.
The method of making these paintings include drawing, carving woodcut forms, generating ink rubbings from the forms, colouring and lastly mounting.
Mr Huo specialises in introducing colour to the rubbings and he has been accomplishing it for 25 yrs. He maintains that colouring is the toughest aspect of the method.
Huo Shuqing’s relatives has been generating classic woodcut New Calendar year paintings for 7 generations. (Photograph: Jeremy Koh)
“Following all the preliminary get the job done is done, immediately after the wooden is carved, it is set and you really don’t have to contact it. But colouring is distinctive for the reason that there is not a set structure, there is not a sample, so it is solely centered on your practical experience, which is why it is extremely challenging,” mentioned Mr Huo.
He is centered in Yangliuqing, a town in the northern Chinese port city of Tianjin wherever imperial family members procured their New Calendar year paintings through ancient periods.
Yangliuqing in Tianjin is popular for its classic woodcut New Calendar year paintings. (Photograph: Jeremy Koh)
Yangliuqing’s custom of producing New Calendar year paintings day again to extra than 600 yrs ago to the Yuan Dynasty.
Nowadays, there are two major cities that specialise in woodcut New Calendar year paintings in China – Yangliuqing and Taohuawu which is situated at the eastern Chinese city of Suzhou.
Mr Huo mentioned: “The Taohuawu New Calendar year paintings are centered on woodblock printing, which signifies that craftmen put all the colours on a wooden carving ahead of working with it to print on locations that call for colours. But for Yangliuqing New Calendar year paintings … most of us do woodblock portray for only three colours. The relaxation are painted by hand.”
The paintings are renowned for their vivid colours as nicely as its auspicious and festive themes.
And customers like Fan Dongyan and her husband would journey for hours to Yangliuqing to invest in these paintings.
Ms Fan, who will come from Shandong province, bought two items for US$43 (S$61).
It is really vital to continue to keep China’s cultural heritage alive, suggests a traveller who acquired two paintings. (Photograph: Jeremy Koh)
She mentioned: “It’s getting extra and extra vital to preserve China’s cultural heritage. So whilst many Chinese are travelling overseas, I believe they must also discover some of our people society that is disappearing.”
In 2006, the State Council shown the Yangliuqing New Calendar year paintings as an intangible cultural heritage, offering artists an impetus to decide it up.
Hao Guifen, the Director of the Tianjin Folks Artists Affiliation advised Channel NewsAsia: “Before it was shown as an intangible cultural heritage, the Yangliuqing New Calendar year paintings have been on a decline, which signifies there weren’t many people accomplishing it. But immediately after that, some former artists started off finding it up yet again, and the younger technology also started off to discover how to do it.”
Even though this signifies extra levels of competition for the artists, the Chinese people can be optimistic that this classic people art will not vanish at any time before long.
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